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An infinite game

"There are at least two kinds of games," states James Carse in the beginning of his book. "One could be called finite; the other infinite."

"Finite games are the familiar contests of everyday life; they are played in order to be won, which is when they end. But infinite games are more mysterious. Their object is not winning, but ensuring the continuation of play. The rules may change . . . There are no spatial or numerical boundaries to an infinite game. No world is marked with the barriers of infinite play, and there is no question of eligibility since anyone who wishes may play an infinite game.
 
"Infinite players cannot say when their game began, nor do they care. They do not care for the reason that their game is not bounded by time. Indeed, the only purpose of the game is to prevent it from coming to an end."
 
James P. Carse, "Finite and Infinite Games: A Vision of Life as Play and Possibility"

 

 
 
A very long time ago my sister and I decided to take a workshop in northern Wisconsin, close to the place our parents owned a cabin. Pat (Undis) was a watercolorist and art teacher. I, at that point, worked in pastels. Neither of us were landscape painters, and neither of us painted in oils, but we signed up for an outdoor oil painting workshop taught by Charles Movalli. He was not only an exciting painter, but a regular contributor to American Artist magazine, and editor of several Emile Gruppe books. We were probably in over our heads, but we forged ahead, trying our best to figure out how to use oil paint and paint outside.

 

 

One afternoon we were painting along a small river when it started to rain. My view was of the river, a small dock, background trees, moving clouds, and changing light. At one point Movalli asked why I was putting the dock in my painting. (It must have looked awkward.) "Because it's there," I replied. Immediately I realized how ridiculous that sounded. Out came the dock. But I was still struggling. Finally, with my palette getting wet, and trying in vain to get the sense of color and light I saw, I slashed some orange in the foreground. Movalli came running up from I don't where, yelling, "That great! Why did you do that?" I don't remember what I said. I probably mumbled something about the light. It could have just been a desperate measure. But it did save the day, so to speak, and I still have the painting - a  reminder of persistence and possibility.


 
"Finite games can be played within an infinite game, but an infinite game cannot be played within a finite game. Infinite players regard their wins and losses in whatever finite games they play as but moments in continuing play."

Comments

5 Responses to An infinite game

Love your thoughts and insight. And paintings of course!

If only I knew where and when I could use that slash of orange. I have been painting for 22 years and am still a beginner. I took a Fechin workshop with you years ago but I was in so far over my head, I remember only one thing. "Don't wash your brushes so much. That is hard on them." I laugh about that.

Hello Carolyn, thanks for all your insight on art.
Leslie and I moved back home to Massachusetts to be close to our relatives.
I am thankful for the mentoring and teaching that I got from yourself, as well as Randall Sexton(God rest his soul), Joseph Larson and many more.
Art is something that gets in your heart and soul. It takes you to many great places in your life.
Thanks again and be well, Alan.

Hi Alan - thank you for the update and yes, I, too, am eternally grateful for the art adventures and all the wonderful, creative, and interesting people I've met over the years. Take care, Carolyn.

Wow Carolyn …
I just save this piece you wrote back in November and re read it and it really landed with me..
Having studied in an Atelier and now working to express my own creativity this hit home…….

From your November Blog….
“ Realist painting has its own set of parameters and the myth of mastery, unfortunately, is one of them. We are inclined to value skill and technique over expression. But skill and technique without creativity and personal expression is just more boring art that happens to be well done. We end up with mediocre shows and paintings that have such a narrow range of expectation that everything starts to look alike. When we make judgments, collectively or as individuals, about what is acceptable or not, what is good or not, and what realism is or is not, we end up narrowing the possibilities of what painting is and could be.”
A thousand thank you's and you continue to be a source of inspiration.
Cheers,
Mia


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